Discussion about this post

User's avatar
Michael's avatar

This is a really excellent take and very much resonates with some of my own thoughts. I would just like to add that, while the answer to the question "is Darryl Cooper an antisemite?" still - probably not, I suspect that the more precise answer is "not yet". Setting aside the debate on the limits of free speech, when one uncritically echoes, references, and platforms voices of antisemites, what does that make him? And how long does it take for someone who flirts with and entertains antisemitics views to eventually adopt them? To be fair, much of the criticism against Cooper's interview with Tucker Carlson was by people who never listened to his podcast. But I have. And what I have seen unfolding - from the early parts of the "fear and loathing" series and all the way to this point, is a peculiar but harmless and somewhat empathic fixation on Jews (like some of the anecdotes on people who happen to be Jewish and were part of the Jim Jones cult) turning into an increasingly weird and obsessive preoccupation with "the Jews" (like his highly problematic and historically superficial take portraying Jews as somehow being just like any other "middleman" minority group). In other words, I think the Martyrmade podcast reflects, gives us a glimps into, the process in which a person becomes antisemitic. What, then, is the rationale driving this? Perhaps the most revealing part of Darryl's work in this regard was his episode on Nietzsche and Dostoevsky. His lengthy and passionate discussion of the two's horse-beating related experience/writing captures his idea of how the world, or at least large scale violence, works: as a kind of endless perpetual motion, where the innocent body subject to violence inevitably inflicts violence upon another innocent body and so forth. In retrospect, I realized this is the grand narrative that Cooper uses to "cookie cut" the stories he tells. And this in turn helps explains some of the problematic and outlandish statements Cooper made in his "fear and loathing" series ("sometimes you are the monster" - referring to Israel's defensive war in 1948, in which the new state lost around 1% of its population, and effectively comparing Israeli troops, many of which were Holocaust survivors, to the Nazis who tormented them up to only three years prior), for example. So yes, Cooper does seem like a genuinely nice, smart, generous, and extremely empathic and even gentle guy. But he is also an influential podcaster who speaks way too confidently about complicated subjects that experts spend decades learning about and promotes a perception of how the world operates that is at best naive and at worst sinister. Think I'm exaggerating? Just take a brief look at the comment section of the Martyrmade substack. See what kind of audience he is now attracting, and monitizng.

Expand full comment
Wendell Grogan's avatar

Thank you for your follow up to your History Impossible podcast. As the son of a German POW camp survivor with friends who are children of Holocaust survivors, I am obviously somewhat predjust on this subject...

It did strike me reading what you had to say that it may have been counterproductive for the Western governments to suppress the Nazi propaganda after the war. Triumph of the Will was censored for close to 40 years after the war, but watching it for the first time, I was bored after the first 20 minutes or so except for my fascination at how reconstructed Germany looked so much like pre-war architecture. Along the same lines, would it have been better to let depictions of the Nazis as in "The Blues Brothers" be shown in post war Germany to illuminate the ludicrous nature of their world view to the post war generation?

Keep it going!

Wendell Grogan

Expand full comment
6 more comments...

No posts